Capturing motion is different depending on where subject is and how it’s moving relative to the camera. If a runner is moving from one side of the frame to the other (left to right or right to left), he/she will look like they’re going faster than if they’re coming towards or away from the camera [...]
So you’ve mastered the fundamentals of photography. The principles of shutter speed, aperture and ISO are ingrained in your brain. You’ve developed an eye for composition and understand the essentials of light and lighting. You’re comfortable and skilled with using your equipment and got your timing down. Perhaps you want to step up your skills [...]
In action/motion photos sometimes it can be difficult to maintain focus on a moving subject. Things such as other people, cars or animals moving through the frame may throw off the focus. If you’re panning, then stationary objects such as trees or poles may also cause the lens to “hunt and peck.” Sure, if you’re [...]
The latest Readers Photo Challenge assignment is: Motion. I have a friend who’s always complaining that he can’t get a good action shot of his daughter playing on her high school volleyball and basketball teams. Conveying movement in a photo can be problematic for those not practiced in shooting it. There are two main [...]
Street photography is a branch of photography that has similar roots to documentary photography, photojournalism and even travel photography. But whereas photojournalism seeks to capture photos with news value, documentary records history, and travel photography transports the viewer to other places, the aim of street photography is to capture the mundane and elevate it to [...]
“Fill the frame” and “get in close” is a mantra for photographers. Another saying is: “If your pictures aren’t good enough, then you’re not getting close enough.” Most photographers will tell you that you should crop “in camera.” That is to say you should compose your pictures, whether by zooming in with your lens or [...]
Most people when using their DSLR cameras never venture further than using the “program” mode of the exposure systems. In “program” the camera sets both the shutter speed and aperture. Some more adventuresome picture takers may use “shutter priority” (you set the shutter speed/the camera sets the aperture) or “aperture priority” (vice versa). Very few [...]
Another assignment I remember from my old photo-student days was the outdoor portrait and it, like the front, side and back lighting assignment, was a lesson in light. You would think that shooting outside would be pretty easy. There is plenty of light, so worrying about having a fast enough shutter speed to eliminate camera [...]
I particularly like to shoot silhouettes. In truth, I probably shoot them too often, but I can’t get enough of them. They provide a strong, graphic image. Whether in black and white or in color, they tend to be compositionally bold with strong visual impact. Photographing a silhouette isn’t hard, as long as you follow [...]
It’s easy to blame your equipment when it takes an improper exposure. But a camera is an unthinking, unfeeling machine. It doesn’t know if a scene is too dark or too light, nor does it care. It takes in information about what’s coming through the lens and then adjusts the camera’s settings to set algorithms. [...]
